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Xieyi・The Rootless Tree:100 Verses-Verse 99#397

Xieyi・The Rootless Tree:100 Verses-Verse 99#397– Daoist-inspired Xieyi painting artwork

 The poems of “The Rootless Tree” express a fundamental force rooted in harmony with heaven and earth, the cyclical flow of yin and yang, and the infinite potential of existence。
 This painting is an expressive “Xieyi” in the tradition of “futu” (spiritual diagrams), passed down for generations in Wudang Mountain, China. It is drawn through a technique where energy flow (xingqi) channels the internal intention into visual form。
An illustration of a seated figure holding a Taoist symbolic diagram, painted in the style of xieyi. The artwork embodies the flow of qi, resonating with the viewer’s spirit and inviting harmony between heaven, earth, and the inner self. In the Taoist world, there exist spiritual and symbolic images called “futu”。
 These are a type of talisman—not merely religious items, but expressive spiritual paintings that act directly on the mind of the viewer。
 Since ancient times, many people have placed these Taoist-style “Xieyi” and futu in their homes, studies, or bedrooms, wishing for longevity, health, auspiciousness, and family harmony. Viewing such paintings was not just aesthetic appreciation, but an act of inviting the presence of the Dao into one’s life and tuning the body and mind。
 Thus, “Xieyi” is more than artistic expression—it is a medium that bridges the spirit, life, and harmony with the universe。
 This kind of artwork is not meant to be seen only with the eyes, but felt with the heart。
 It communicates with the Dao, resonates with the qi of nature, and quietly stirs the viewer’s inner self。
 Futu and “Xieyi” continue to live on from ancient times to this day as “sacred images that speak to the soul.”
 Below, we present the original text of the philosophical poem “The Rootless Tree,” along with a modern Japanese translation and interpretation。
 ※ The author of “The Rootless Tree,” Zhang Sanfeng (1247–?), is also renowned as the founder of Tai Chi, and it is said that he applied the essence of this work to Tai Chi. As an additional note, we include an interpretation connecting this to the Tai Chi tradition of Wudang Mountain.

The Rootless Tree・Verse 99

Xieyi・The Rootless Tree:100 Verses-Verse 99#397– Daoist-inspired Xieyi painting artwork

▶Original Text

無根樹,花正飛,氣化虛空道自歸。陰陽兩儀歸太極,一氣流行妙理微。

▶Modern Translation

From the rootless tree, a flower takes flight.Qi becomes space itself—the Dao returns to it.Yin and Yang return to Tai Chi unity.When one Qi flows, subtle truth is born.

▶Interpretation

[無根樹,花正飛] Flying flower—liberation and lightness.
[氣化虛空道自歸] Qi turns to void—Dao comes home.
[陰陽兩儀歸太極] All dualities—return to Tai Chi.
[一氣流行妙理微] One Qi flows—mystery manifests.

▶Interpretation related to Tai Chi

Movement beyond limits feels like flight.
Dao arises where effort dissolves.
All dual forms integrate through Tai Chi.
Flowing Qi reveals life’s deepest truths.

Copyright © MASAKI WAKABAYASHI. All rights reserved.

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