Never Before Seen, mysterious and beautiful paintings, landscapes decorated with Xieyi paintings in various interiors
Xieyi Painting “The Rootless Tree” Displayed Above a Sofa in a Modern Living Room In a simple yet elegant living room, the Xieyi painting “The Rootless Tree,” depicting a red flower, is displayed above the sofa. The artwork blends seamlessly with modern furniture, adding depth and a sense of tranquility to the space. Copyright © MASAKI WAKABAYASHI. All rights reserved.
Canvas Comparison of A2 and A3 Sizes – Xieyi-style Interior An example of displaying Xieyi-style paintings directly on canvas without frames in a minimalist living room. The A2 canvas on the left creates a strong presence, while the A3 canvas on the right offers a subtler impression. This comparison helps to visualize how different canvas sizes can influence the atmosphere of an interior. Copyright © MASAKI WAKABAYASHI. All rights reserved.
Xieyi Painting Displayed in a Traditional Japanese Inn This image shows a xieyi painting displayed in the tatami room of a traditional Japanese inn. The artwork depicts a tree standing in the sea, blooming with a single white flower under the gentle glow of the full moon. The serene composition of the painting complements the quiet ambiance of the inn, infusing the space with a sense of harmony and contemplative beauty. Copyright © MASAKI WAKABAYASHI. All rights reserved.
Xieyi Painting in a Clinic Waiting Room This Xieyi painting displayed in the clinic’s waiting room brings a sense of calm and healing to the space. Depicting flowers blooming under a full moon, the artwork evokes the quiet serenity of night, soothing visitors as they wait. Its harmony with the clean white walls and simple chairs enhances the tranquil atmosphere of the room. Copyright © MASAKI WAKABAYASHI. All rights reserved.
Xieyi Painting and People in a Clinic Waiting Room This image captures a calm moment in a clinic waiting room. On the wall behind the patients hangs a xieyi painting depicting flowers under the moonlight, creating a soothing and harmonious atmosphere. The artwork helps ease tension and adds a sense of tranquility to the medical space. Copyright © MASAKI WAKABAYASHI. All rights reserved.
Scene of a restaurant or bar with a painting of a red flower A symbolic painting of a red flower and sunset adorns the brick wall, adding warmth to the atmosphere. The wooden counter and shelves filled with bottles create a cozy backdrop, while people enjoy conversations. This artwork harmonizes with the space, suitable for both dining and bar settings. Copyright © MASAKI WAKABAYASHI. All rights reserved.
Xieyi Paintings Displayed in a Brick-Wall Restaurant In a cozy restaurant with brick walls, three mystical Xieyi paintings are displayed side by side. The art enhances the warm atmosphere, making dining and conversations more enriching. Copyright © MASAKI WAKABAYASHI. All rights reserved.
Ink-Style Xieyi Painting in a Modern Living Room In a beige-toned modern living room, an ink-style xieyi painting is displayed. Featuring a solitary tree against a misty mountain landscape, the artwork symbolizes harmony between nature and the human spirit, bringing calmness and depth to the interior space. Copyright © MASAKI WAKABAYASHI. All rights reserved.
Shanshui-Style Ink Painting in a Traditional Japanese Room In this traditional Japanese room, a symbolic ink-style painting of the Rootless Tree hangs gracefully on the wall. The composition is completed by a bonsai and a tea set on a wooden table, creating an atmosphere of calmness and refined harmony. It is a space where Japanese aesthetics and spiritual depth are intertwined. Copyright © MASAKI WAKABAYASHI. All rights reserved.
Harmony of a Lotus at Sea and a Serene Living Room The ink-inspired painting of a lotus blooming in the midst of turbulent seas brings a profound sense of stillness and symbolic strength to the living room. Resonating with the calm sofa and greenery, it transforms the space into a dramatic yet tranquil environment. Copyright © MASAKI WAKABAYASHI. All rights reserved.
