works

Never Before Seen,A mysterious and beautiful painting , Xieyi that projects the poem of a rootless tree in a painting, the energy of the symbol, and the feng shui effect on the space.

写意画・無根樹100首-第81首#571– 道(タオ)の哲理詩に基づく写意画アート作品
works

Xieyi・The Rootless Tree:100 Verses-Verse 81#571

Xieyi・The Rootless Tree:100 Verses-Verse 81#571  The poems of “The Rootless Tree” express a fundamental force rooted in harmony with heaven and earth, the cyclical flow of yin and yang, and the infinite potential of existence。 This painting is an expressive “Xieyi” in the tradition of “futu” (spiritual diagrams), passed down for generations in Wudang Mountain, China. It is drawn through a technique where energy flow (xingqi) channels the internal intention into visual form。 In the Taoist world, there exist spiritual and symbolic images called “futu”。 These are a type of talisman—not merely religious items, but expressive spiritual paintings that act directly on the mind of the viewer。 Since ancient times, many people have placed […]

写意画・無根樹100首-首外第8首#574– 道(タオ)の哲理詩に基づく写意画アート作品
works

Xieyi・The Rootless Tree:100 Verses-Outer Verse 8#574

Xieyi・The Rootless Tree:100 Verses-Outer Verse 8#574  The poems of “The Rootless Tree” express a fundamental force rooted in harmony with heaven and earth, the cyclical flow of yin and yang, and the infinite potential of existence。 This painting is an expressive “Xieyi” in the tradition of “futu” (spiritual diagrams), passed down for generations in Wudang Mountain, China. It is drawn through a technique where energy flow (xingqi) channels the internal intention into visual form。 In the Taoist world, there exist spiritual and symbolic images called “futu”。 These are a type of talisman—not merely religious items, but expressive spiritual paintings that act directly on the mind of the viewer。 Since ancient times, many people have

写意画・無根樹100首-首外第8首#577– 道(タオ)の哲理詩に基づく写意画アート作品
works

Xieyi・The Rootless Tree:100 Verses-Outer Verse 8#577

Xieyi・The Rootless Tree:100 Verses-Outer Verse 8#577  The poems of “The Rootless Tree” express a fundamental force rooted in harmony with heaven and earth, the cyclical flow of yin and yang, and the infinite potential of existence。 This painting is an expressive “Xieyi” in the tradition of “futu” (spiritual diagrams), passed down for generations in Wudang Mountain, China. It is drawn through a technique where energy flow (xingqi) channels the internal intention into visual form。 In the Taoist world, there exist spiritual and symbolic images called “futu”。 These are a type of talisman—not merely religious items, but expressive spiritual paintings that act directly on the mind of the viewer。 Since ancient times, many people have

写意画・無根樹100首-第79首#468– 道(タオ)の哲理詩に基づく写意画アート作品
works

Xieyi・The Rootless Tree:100 Verses-Verse 79#468

Xieyi・The Rootless Tree:100 Verses-Verse 79#468  The poems of “The Rootless Tree” express a fundamental force rooted in harmony with heaven and earth, the cyclical flow of yin and yang, and the infinite potential of existence。 This painting is an expressive “Xieyi” in the tradition of “futu” (spiritual diagrams), passed down for generations in Wudang Mountain, China. It is drawn through a technique where energy flow (xingqi) channels the internal intention into visual form。 In the Taoist world, there exist spiritual and symbolic images called “futu”。 These are a type of talisman—not merely religious items, but expressive spiritual paintings that act directly on the mind of the viewer。 Since ancient times, many people have placed

写意画・無根樹100首-第81首#472– 道(タオ)の哲理詩に基づく写意画アート作品
works

Xieyi・The Rootless Tree:100 Verses-Verse 81#472

Xieyi・The Rootless Tree:100 Verses-Verse 81#472  The poems of “The Rootless Tree” express a fundamental force rooted in harmony with heaven and earth, the cyclical flow of yin and yang, and the infinite potential of existence。 This painting is an expressive “Xieyi” in the tradition of “futu” (spiritual diagrams), passed down for generations in Wudang Mountain, China. It is drawn through a technique where energy flow (xingqi) channels the internal intention into visual form。 In the Taoist world, there exist spiritual and symbolic images called “futu”。 These are a type of talisman—not merely religious items, but expressive spiritual paintings that act directly on the mind of the viewer。 Since ancient times, many people have placed

写意画・無根樹100首-首外第9首#477– 道(タオ)の哲理詩に基づく写意画アート作品
works

Xieyi・The Rootless Tree:100 Verses-Outer Verse 9#477

Xieyi・The Rootless Tree:100 Verses-Outer Verse 9#477  The poems of “The Rootless Tree” express a fundamental force rooted in harmony with heaven and earth, the cyclical flow of yin and yang, and the infinite potential of existence。 This painting is an expressive “Xieyi” in the tradition of “futu” (spiritual diagrams), passed down for generations in Wudang Mountain, China. It is drawn through a technique where energy flow (xingqi) channels the internal intention into visual form。 In the Taoist world, there exist spiritual and symbolic images called “futu”。 These are a type of talisman—not merely religious items, but expressive spiritual paintings that act directly on the mind of the viewer。 Since ancient times, many people have

写意画・無根樹100首-第78首#480– 道(タオ)の哲理詩に基づく写意画アート作品
works

Xieyi・The Rootless Tree:100 Verses-Verse 78#480

Xieyi・The Rootless Tree:100 Verses-Verse 78#480  The poems of “The Rootless Tree” express a fundamental force rooted in harmony with heaven and earth, the cyclical flow of yin and yang, and the infinite potential of existence。 This painting is an expressive “Xieyi” in the tradition of “futu” (spiritual diagrams), passed down for generations in Wudang Mountain, China. It is drawn through a technique where energy flow (xingqi) channels the internal intention into visual form。 In the Taoist world, there exist spiritual and symbolic images called “futu”。 These are a type of talisman—not merely religious items, but expressive spiritual paintings that act directly on the mind of the viewer。 Since ancient times, many people have placed

写意画・無根樹100首-首外第5首#484– 道(タオ)の哲理詩に基づく写意画アート作品
works

Xieyi・The Rootless Tree:100 Verses-Outer Verse 5#484

Xieyi・The Rootless Tree:100 Verses-Outer Verse 5#484  The poems of “The Rootless Tree” express a fundamental force rooted in harmony with heaven and earth, the cyclical flow of yin and yang, and the infinite potential of existence。 This painting is an expressive “Xieyi” in the tradition of “futu” (spiritual diagrams), passed down for generations in Wudang Mountain, China. It is drawn through a technique where energy flow (xingqi) channels the internal intention into visual form。 In the Taoist world, there exist spiritual and symbolic images called “futu”。 These are a type of talisman—not merely religious items, but expressive spiritual paintings that act directly on the mind of the viewer。 Since ancient times, many people have

写意画・無根樹100首-第100首#485– 道(タオ)の哲理詩に基づく写意画アート作品
works

Xieyi・The Rootless Tree:100 Verses-Verse 100#485

Xieyi・The Rootless Tree:100 Verses-Verse 100#485  The poems of “The Rootless Tree” express a fundamental force rooted in harmony with heaven and earth, the cyclical flow of yin and yang, and the infinite potential of existence。 This painting is an expressive “Xieyi” in the tradition of “futu” (spiritual diagrams), passed down for generations in Wudang Mountain, China. It is drawn through a technique where energy flow (xingqi) channels the internal intention into visual form。 In the Taoist world, there exist spiritual and symbolic images called “futu”。 These are a type of talisman—not merely religious items, but expressive spiritual paintings that act directly on the mind of the viewer。 Since ancient times, many people have placed

写意画・無根樹100首-第87首#496– 道(タオ)の哲理詩に基づく写意画アート作品
works

Xieyi・The Rootless Tree:100 Verses-Verse 87#496

Xieyi・The Rootless Tree:100 Verses-Verse 87#496  The poems of “The Rootless Tree” express a fundamental force rooted in harmony with heaven and earth, the cyclical flow of yin and yang, and the infinite potential of existence。 This painting is an expressive “Xieyi” in the tradition of “futu” (spiritual diagrams), passed down for generations in Wudang Mountain, China. It is drawn through a technique where energy flow (xingqi) channels the internal intention into visual form。 In the Taoist world, there exist spiritual and symbolic images called “futu”。 These are a type of talisman—not merely religious items, but expressive spiritual paintings that act directly on the mind of the viewer。 Since ancient times, many people have placed

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